I'm going to start this entry by being 100 percent honest, I barely watched this season of So You Think You Can Dance. And I have no regrets.
From what I've seen through my fast-forwarding of this season's episodes on my trusty DVR, the show has lost some of its authenticity. Not to take ANYTHING away from the dancers who are gifted, and talented and bursting with personality but the essence of the show seems to have floundered a lot this season.
This was the first attempt at a fall season for the show with five previous summer seasons that were filled to point of explosion with dynamic choreography, touching moments and more dance than one could hope for. But this season's finale episode last night summed it up.
With three musical performances, Leona Lewis, Mary J. Blige and even Jennifer Lopez (hello this is a DANCE show) and a top 6 rather than their traditional top 4 dancers the feeling of forced positivity shone bright on the Kodak Theater stage. I must say, to begin with the move the show took from the intimate studio stage setting that fans have grown to adore over the past 5 seasons to the immense "above seating" feeling of this theater has left a bad taste in my mouth.
Seeing as I'm being honest I'm also going to admit I have not seen ALL of the dances this season, but every time I tune in whether it's a Sonya funky jazz piece, one of Tyce's contemporary pieces, or a newbie's Afrojazz piece (one of the only highlights) the choreography has taken a backseat. With the absence of Mia Michaels' genius, one could accept lackluster movement but the dance pieces were either overly conceptualized to the point of being too theatrical, or they had no real story behind the movement. It's as if the SYTYCD world lost inspiration for a few months, which is a sad, sad event.
Nothing stands out to me about this season, not a single dancer, not a single song, not one piece of choreography. It's disappointing that seasons has failed us after five years of a show that has truly brought dance to the forefront of entertainment and solidified what myself and many, many others have known, that dance is not only a wonderful art form, but a vital one too. I'm sure that Season 6 Tour Sales will show what the fans are feeling, lackluster.
Maybe they just had an off-season. I'll give them that because I know I've had off days, off weeks, hell probably a few off-months in my 23 years of dance, love and life. But I truly hope they take a hard look at the past season and instill some of the simplistic authenticity back into the show because so many changes all at once has shaken my SYTYCD beliefs and fan-aticism to its core.
The search for Season 7 begins this January 2010 in NYC and Miami ... let's hold our breath and hope for the best!
Thursday, December 17, 2009
Monday, December 7, 2009
No Limits Dance Crew Winter Show
Blackman Auditorium gets another dose of Northeastern University dance and choreography talent at this Saturday's 3pm and 8pm No Limits Dance Crew Winter Shows. Tickets are free with an NU ID and $5 for general admission. Some styles you can look forward to seeing include Bollywood, Bellydance, Hip Hop, Contemporary, Pointe, Tap and more. Come support your favorite NLDC dancer, and the entire Northeastern University dance community this Saturday!
NUDANCO 7th Annual Winter Showcase
I attended last night's NUDANCO show at Northeastern's Blackman Auditorium and was treated to a fun-filled 11-piece showing of some of Northeastern University's most talented dancers. With two hip hops pieces and a sick, stunningly impressive tap piece sans music, the lyrical-heavy show was very entertaining. Kudos to the gorgeous talent! It was great to attend the show of a company that has been around almost a complete decade and has pioneered dance organizations at Northeastern.
Tuesday, October 13, 2009
New Bellydance Fusion Class by yours truly!
I'm extremely excited and proud to announce I will be teaching a brand-new Bellydance Fusion class at Life in Synergy beginning this Friday October 16, 2009 from 7-8pm.
What is fused with Bellydance you might ask yourself? Think a little hip-hop, a touch of salsa, some pop moves, melded for a fun, upbeat, amazing workout for the whole body that tones while you shake and groove and shimmy your cares away.
To learn more about this class, other great classes at Life in Synergy and to sign up for my class, head here!
What is fused with Bellydance you might ask yourself? Think a little hip-hop, a touch of salsa, some pop moves, melded for a fun, upbeat, amazing workout for the whole body that tones while you shake and groove and shimmy your cares away.
To learn more about this class, other great classes at Life in Synergy and to sign up for my class, head here!
Tuesday, September 29, 2009
Boston is waking up early to get in shape!
While I rode along quietly on an earlier commuter rail than usual, I was excited at the return of one of the happiest things on earth: morning Ballet Booty class at Life in Synergy.
Life in Synergy is more than a studio, it's an upbeat, health-conscious, fun lifestyle based on exercise that is stimulating to both mind and body. Ballet Booty's am time-slot has been absent for a few months, much to my dismay. The 7:30-8:30 am class was the PERFECT time slot to get in an amazing total-body pilates and ballet workout right before work. It starts the day off right, filled with endorphins and happy energy flowing through me.
With a slew of brand-new morning offerings, it's easy to see why this morning's SFM Lean Legs Express was almost completely packed.
I couldn't be happier with all the new morning offerings in addition to great classes already in existence like Lauren's high-energy Tuesday night Zumba that is always at capacity and SFM Abs and Arms taught by owner and health-guru Helena Collins which books months, and I mean literally MONTHS, in advance.
Check out a class guys, first one is free :)
Life in Synergy is more than a studio, it's an upbeat, health-conscious, fun lifestyle based on exercise that is stimulating to both mind and body. Ballet Booty's am time-slot has been absent for a few months, much to my dismay. The 7:30-8:30 am class was the PERFECT time slot to get in an amazing total-body pilates and ballet workout right before work. It starts the day off right, filled with endorphins and happy energy flowing through me.
With a slew of brand-new morning offerings, it's easy to see why this morning's SFM Lean Legs Express was almost completely packed.
I couldn't be happier with all the new morning offerings in addition to great classes already in existence like Lauren's high-energy Tuesday night Zumba that is always at capacity and SFM Abs and Arms taught by owner and health-guru Helena Collins which books months, and I mean literally MONTHS, in advance.
Check out a class guys, first one is free :)
Friday, September 25, 2009
SYTYCD Tour
So I must say I was duly impressed with my friend Kara's ability to get the best seats I've ever had for a SYTYCD Tour. Out of five seasons with four tours, I've been privileged to attend three. And this past Tuesday's Season 5 Tour was incredibly entertaining, if not completely predictable. Predictability being a Fox standard.
The show featured the top 10 dancers, as well as the two dancers who were kicked off immediately prior to the top 10 announcement Philip and Caitlin. With many fun group numbers including Episode 19's "One" an entertaining glitter-filled homage to "A Chorus Line" one of THE most seminal musicals in dance history.
Each genre was represented, from Broadway routines to disco, latin ballroom to contemporary. Some of the crowd favorites had to be Sonya Tayeh's "Eyes on Fire" routine performed by Kapuono and Kayla as well as Mia Michaels' "Gravity" also performed by the K-duo. And of course, the timeless and emotional "This Woman's Work" piece choreographed by Tyce Diorio and performed by "
Each of the top 10 performed a solo, along with Philip (which really was a crying shame for poor Caitlin who performed in many group pieces and a Bollywood piece with dreamy cuter-than-a-puppy Jason). Philip's solo received a standing ovation and his sense of humor and sweet demeanor added so much to the show.
An alarming aspect of the show was the poor writing involved in the skits when two or three dancers came out to introduce the various dances. These people are dancers, physical beings who are incredibly talented. Not actors and comedians at an awards show who are capable of bringing an audience to tears or side-splitting laughter. Regardless of this tiny fact which took up time that could have been utilized to perform more group pieces and more duets such as Brandon and Kayla's "All I Want," it was mildly entertaining.
Kapuono stole the show when he hammed it up for the crowd with a blatantly self-indulgent and self-aware plug for SYTYCD Fitness DVDs. He was fun and funny and made light of the topic of self-endorsement in an endearing way.
A nagging moment for me that just won't let up in my mind was Jeanine's solo. I had been waiting for this moment, anticipating her turns which effortlessly and in a heavenly way slow to standing. However, Miss Mason hopped the last few turns which was a disappointment. But to let me know that she still had it, she did perform that same turn sequence PERFECTLY during the final group number "Age of Aquarius."
Overall, it was incredible to see these performers exercise their skill live. For some reason it makes it more believable when you see a dancer performing exquisitely and flawlessly live on a stage.
The show featured the top 10 dancers, as well as the two dancers who were kicked off immediately prior to the top 10 announcement Philip and Caitlin. With many fun group numbers including Episode 19's "One" an entertaining glitter-filled homage to "A Chorus Line" one of THE most seminal musicals in dance history.
Each genre was represented, from Broadway routines to disco, latin ballroom to contemporary. Some of the crowd favorites had to be Sonya Tayeh's "Eyes on Fire" routine performed by Kapuono and Kayla as well as Mia Michaels' "Gravity" also performed by the K-duo. And of course, the timeless and emotional "This Woman's Work" piece choreographed by Tyce Diorio and performed by "
Each of the top 10 performed a solo, along with Philip (which really was a crying shame for poor Caitlin who performed in many group pieces and a Bollywood piece with dreamy cuter-than-a-puppy Jason). Philip's solo received a standing ovation and his sense of humor and sweet demeanor added so much to the show.
An alarming aspect of the show was the poor writing involved in the skits when two or three dancers came out to introduce the various dances. These people are dancers, physical beings who are incredibly talented. Not actors and comedians at an awards show who are capable of bringing an audience to tears or side-splitting laughter. Regardless of this tiny fact which took up time that could have been utilized to perform more group pieces and more duets such as Brandon and Kayla's "All I Want," it was mildly entertaining.
Kapuono stole the show when he hammed it up for the crowd with a blatantly self-indulgent and self-aware plug for SYTYCD Fitness DVDs. He was fun and funny and made light of the topic of self-endorsement in an endearing way.
A nagging moment for me that just won't let up in my mind was Jeanine's solo. I had been waiting for this moment, anticipating her turns which effortlessly and in a heavenly way slow to standing. However, Miss Mason hopped the last few turns which was a disappointment. But to let me know that she still had it, she did perform that same turn sequence PERFECTLY during the final group number "Age of Aquarius."
Overall, it was incredible to see these performers exercise their skill live. For some reason it makes it more believable when you see a dancer performing exquisitely and flawlessly live on a stage.
Thursday, September 17, 2009
Contemporary Class Link!
https://secure.brooklineadulted.org/bin/catalog/getInfoForm.pl?key=20&file=BYDATE.txt
Community Education Dance Classes!
Looking for an affordable and fun way to exercise and dance in the outskirts of Boston?
Sign up for my Contemporary and Tap Classes at Newton and Brookline Adult Community Education!
https://newtoncommunityed.org/viewDesc.php?CourseNumber=D2072-01
Sign up for my Contemporary and Tap Classes at Newton and Brookline Adult Community Education!
https://newtoncommunityed.org/viewDesc.php?CourseNumber=D2072-01
Friday, August 7, 2009
Dance and Choreography Legend Dies
An icon to this day, died. Merce Cunningham, 90, died in his Manhattan home this past Sunday night. He still choreographed and dance with his company and all over NY into his very late years. To find out many more details of his long life and wondrous career of dance, read the full story at http://www.boston.com/ae/theater_arts/articles/2009/07/28/merce_cunningham_at_90_was_transformative_force_in_20th_century_dance/
SYTYCD Results: 18 year old Miami, FL native Jeanine Mason is voted America's favorite dancer
And mine. FINALLY. FINALLY my favorite dancer in the competition, from the very first episode, from the very first dance of the season, has won. 18 year old Jeanine Mason from Miami, FL danced her way into the judge's hearts and apparently the hearts of millions of Americans who voted her as the Season 5 winner for So You Think You Can Dance. Her style is contemporary but she took on Hip Hop, all varieties of Ballroom and various other styles with flair, enthusiasm, poise, confidence and a beauty and womanly grace that is nearly incomparable. She exemplifies maturity and a sweet-humble temperament, and I think many will agree with me that she deserved to win the title.
She performed many memorable pieces including Travis Wall's first piece as a choreographer for the show and not a contestant to Jason Mraz's "If It Kills Me," a sensual and aesthetically-pleasing contemporary number with Jason. Also, every group piece she was in she always shined and stood out in a great way always giving a great deal of herself and her passion in her movement.
Her solo during Wednesday's finale was exquisite and flawless, which may have helped put her over the edge in the eyes of audience members at the Kodak Theatre and in their living rooms.
Congratulations to Jeanine, hopefully she will find herself with an endless number of dance opportunities in her bright future.
She performed many memorable pieces including Travis Wall's first piece as a choreographer for the show and not a contestant to Jason Mraz's "If It Kills Me," a sensual and aesthetically-pleasing contemporary number with Jason. Also, every group piece she was in she always shined and stood out in a great way always giving a great deal of herself and her passion in her movement.
Her solo during Wednesday's finale was exquisite and flawless, which may have helped put her over the edge in the eyes of audience members at the Kodak Theatre and in their living rooms.
Congratulations to Jeanine, hopefully she will find herself with an endless number of dance opportunities in her bright future.
Thursday, July 30, 2009
Shocking Results
In tonight's SYTYCD week finale episode, the finalists were announced, Jeannine, Brandon, Kayla and surprise of all surprises, Evan. So Melissa and Ade headed home, two extremely strong and talented dancers, were let go to make way for next week's final four episodes, and subsequent naming of America's favorite dancer.
I was not shocked to see Melissa be voted off since despite her strengths and gracefulness, I felt it was her time to leave the show. As for Ade, he was robbed. By Evan. America, what are you thinking!? Ade is tremendously more talented and technically trained than Evan, and is an overall better performer and dancer in all aspects.
This night leaves me with disappointment because of this fact. There is no doubt in my mind that Jeannine and Kayla and Brandon truly deserve to be part of the top four and in the finals of being voted America's favorite dancer.
As for the rest of the episode, three pieces that are Emmy-nominated from last season were performed: Mia Michael's "Mercy" piece, Tabitha and Napoleon's (or Nappy Tab's as they are affectionately called) "Bleeding Love" a searing hip hop routine performed by Chelsea and Mark, and Tyce's Adam and Eve piece.
Other than that, the episode was fairly boring. I'm ready for some high-energy, highly emotional choreography next week.
I was not shocked to see Melissa be voted off since despite her strengths and gracefulness, I felt it was her time to leave the show. As for Ade, he was robbed. By Evan. America, what are you thinking!? Ade is tremendously more talented and technically trained than Evan, and is an overall better performer and dancer in all aspects.
This night leaves me with disappointment because of this fact. There is no doubt in my mind that Jeannine and Kayla and Brandon truly deserve to be part of the top four and in the finals of being voted America's favorite dancer.
As for the rest of the episode, three pieces that are Emmy-nominated from last season were performed: Mia Michael's "Mercy" piece, Tabitha and Napoleon's (or Nappy Tab's as they are affectionately called) "Bleeding Love" a searing hip hop routine performed by Chelsea and Mark, and Tyce's Adam and Eve piece.
Other than that, the episode was fairly boring. I'm ready for some high-energy, highly emotional choreography next week.
Wednesday, July 29, 2009
All I know is "All I Want" is to watch this dance on repeat!
During what Kayla dubbed tonight's SYTYCD "semi-finals" the one piece that stands out in my mind is Stacey Tookey's contemporary ode to adultery to the song "All I Want" by Ahn Trio. This haunting, melodic and beautiful piece of music is by the group of three Korean American sisters and the message, choreography and emotion brought out by performers Kayla and Brandon exuded sensuality and the confusion of cheating.
The premise of the piece is the story of the mistress of a married man and what happens when she decides, hmmm maybe she doesn't want to stay. This song reminds me of all the gorgeous music that debuts on shows like "Grey's Anatomy," in other words the type of music that speaks directly to my kind, the overemotional dancer who takes each word of a song, each violin strum, each silence to heart (and personally).
Judge Lil C said the dance was "really, really, really intense and beyond intense, it was beyond amazing." (By the way all my readers should know I am currently watching the piece on repeat thanks to my glorious DVR). It was intense, magnified so by this gorgeous, delicate yet powerful all at the same time choreography. Additionally, Brandon's powerhouse movement, not to mention his muscle definition and strength and body flow keep the piece from just being flowy lyrical. Kayla's impeccable lines and technique don't hurt either, not to mention a close up on her face that simply wreaks of the emotion of this piece right before the line "but I'm gonna lose myself this way."
The lifts are gorgeous and inventive, there is definitely movement in this piece that I feel I haven't seen before which is always refreshing. And hello Stacey Tookey, originally of Canada! I mean yes I adored the piece she choreographed to "Falling Slowly" which saved Karla and Jonathan from impending removal from the show (although neither one made it very much further past that piece), but this piece solidified her as a force to be reckoned with capable of Mia Michael's quality choreography and the emotion we all know and love in contemporary dance. This piece, for me, is the ultimate, the epitome, all I strive to as a choreographer, dancer, lover and audience member of dance. I mean yes, sure Kayla's facials could have been more pronounced and varied, I feel that is one of her weaknesses she hides facials and emotions with her hair and movement, but other than that, what can I say. I'm in loved.
As I close out this post, I am procrastinating hoping someone puts up this video on YouTube tonight, but alas I may have to go to bed before that happens. But I'll be sure to post it tomorrow!
The premise of the piece is the story of the mistress of a married man and what happens when she decides, hmmm maybe she doesn't want to stay. This song reminds me of all the gorgeous music that debuts on shows like "Grey's Anatomy," in other words the type of music that speaks directly to my kind, the overemotional dancer who takes each word of a song, each violin strum, each silence to heart (and personally).
Judge Lil C said the dance was "really, really, really intense and beyond intense, it was beyond amazing." (By the way all my readers should know I am currently watching the piece on repeat thanks to my glorious DVR). It was intense, magnified so by this gorgeous, delicate yet powerful all at the same time choreography. Additionally, Brandon's powerhouse movement, not to mention his muscle definition and strength and body flow keep the piece from just being flowy lyrical. Kayla's impeccable lines and technique don't hurt either, not to mention a close up on her face that simply wreaks of the emotion of this piece right before the line "but I'm gonna lose myself this way."
The lifts are gorgeous and inventive, there is definitely movement in this piece that I feel I haven't seen before which is always refreshing. And hello Stacey Tookey, originally of Canada! I mean yes I adored the piece she choreographed to "Falling Slowly" which saved Karla and Jonathan from impending removal from the show (although neither one made it very much further past that piece), but this piece solidified her as a force to be reckoned with capable of Mia Michael's quality choreography and the emotion we all know and love in contemporary dance. This piece, for me, is the ultimate, the epitome, all I strive to as a choreographer, dancer, lover and audience member of dance. I mean yes, sure Kayla's facials could have been more pronounced and varied, I feel that is one of her weaknesses she hides facials and emotions with her hair and movement, but other than that, what can I say. I'm in loved.
As I close out this post, I am procrastinating hoping someone puts up this video on YouTube tonight, but alas I may have to go to bed before that happens. But I'll be sure to post it tomorrow!
Tuesday, July 28, 2009
Have fun with your dance life!
So this summer I've discovered something truly amazing, Life in Synergy. Owner Helena Collins is a fitness expert and has been on the Boston scene for many, many years and is running a successful, fun and unique studio right on Boylston Street next to Whiskey's.
They offer all types of classes from Pilates Dance, Yoga Harmony, Zumba dance, SFM Classes(Synergistics Fitness Method a trademark of Collins' which are the best workout I've ever experienced to Martial Arts and Cheer Fit. They also do one-time dance classes such as next Friday nights "Bollywood Dance Party" taught by Lauren Hefez the energetic ball of energy who teaches Tuesday's 7pm Zumba class that ALWAYS sells out.
The first class is free and the studio is extremely environmentally-friendly, you register online eliminating ALL paper work. So come on down and begin your Life in Synergy.
http://www.lifeinsynergy.com
They offer all types of classes from Pilates Dance, Yoga Harmony, Zumba dance, SFM Classes(Synergistics Fitness Method a trademark of Collins' which are the best workout I've ever experienced to Martial Arts and Cheer Fit. They also do one-time dance classes such as next Friday nights "Bollywood Dance Party" taught by Lauren Hefez the energetic ball of energy who teaches Tuesday's 7pm Zumba class that ALWAYS sells out.
The first class is free and the studio is extremely environmentally-friendly, you register online eliminating ALL paper work. So come on down and begin your Life in Synergy.
http://www.lifeinsynergy.com
Free dance classes this summer
The Northeastern University Dance Company is offering free classes in the brand new dance studio at Northeastern University's Curry Student Center on Mondays and Wednesdays. Classes are open to anyone and everyone of all levels.
For a full schedule check out their Web site:
http://www.freewebs.com/nudanco/classesrehearsals.htm
For a full schedule check out their Web site:
http://www.freewebs.com/nudanco/classesrehearsals.htm
Monday, July 27, 2009
A major source of irritation
Apparently, Mary Murphy thinks Judy Garland is giving Katie Holmes a standing ovation from heaven. I'm pretty sure Judy Garland is cowering in a corner embarrassed at the spectacle tribute to her. And regardless of whether or not Katie Holmes looked good, that honestly has nothing to do with dancing and the judges on So You Think You Can Dance need to remember that because this season especially so, judging critics from Mary and others such as Mia Michaels and Tyce Diorio and Adam Shankman have started with exclamations of beauty, costuming and makeup. Let us not forget none of these factors have anything to do with the actual dancing being done on stage.
Friday, July 24, 2009
SYTYCD's 100th Episode!!
This episode, despite the travesty that was Katie Holmes' number, was entertaining and heart-wrenching. It was great to see Emmy-awarded numbers such as Wade Robson's the Hummingbird routine and the bench routine by Mia Michaels performed exquisitely by Travis Wall and Heidi Groskreutz from Season 2. Not to mention the group piece to Roisin Murphy's "Rama Lama Bang Bang" choreographed and this time PERFORMED by Wade Robson. He is a force of nature, with his detailed, precise and innovative choreography in many different styles from Jazz to Contemporary to Pop.
The show was a great marker of almost 5 complete seasons and 100 episodes brimming with dance, magic, love and wonderment. The talent that has come across that stage is truly amazing. And while now the voting is up to America, it seems that no one should be let go because all the finalists are extremely talented. It is at this point during the SYTYCD season that the voting comes down to who has more backing and who is more popular with the American public.
I was sad to see Jeannette go home, whom Mia Michaels and Nigel Lythgoe blatantly stated they thought she would win this season, but it seems that Kayla and Jeannine have more sway with voters. As for Melissa, despite a tepid Cha Cha with Ade, Tyce's "This Woman's Work" ensured that both of them would be remaining in the competition for next week's Top 6. I was just as disappointed to see Jason go home who is not only adorable and flexible and incredibly talented, but dances with such emotion, such conviction and drive, it is hard to turn away when he takes the stage. But again, I must reiterate that all of the Top 8 dancers are essentially on the same level when it comes to technique and talent, and now America just picks off who they like the least.
I know all SYTYCD fans are excited for what promises to be exciting choreography and the voting of the FINAL 4 dancers in next weeks episodes. As for me, I'm pretty happy since I already have tickets to see the SYTYCD tour when it comes to Boston on September 22, 2009 at the Agannis Arena. Presale tickets are on Ticketmaster right now, and are open to the general public tomorrow morning at 10 am.
The show was a great marker of almost 5 complete seasons and 100 episodes brimming with dance, magic, love and wonderment. The talent that has come across that stage is truly amazing. And while now the voting is up to America, it seems that no one should be let go because all the finalists are extremely talented. It is at this point during the SYTYCD season that the voting comes down to who has more backing and who is more popular with the American public.
I was sad to see Jeannette go home, whom Mia Michaels and Nigel Lythgoe blatantly stated they thought she would win this season, but it seems that Kayla and Jeannine have more sway with voters. As for Melissa, despite a tepid Cha Cha with Ade, Tyce's "This Woman's Work" ensured that both of them would be remaining in the competition for next week's Top 6. I was just as disappointed to see Jason go home who is not only adorable and flexible and incredibly talented, but dances with such emotion, such conviction and drive, it is hard to turn away when he takes the stage. But again, I must reiterate that all of the Top 8 dancers are essentially on the same level when it comes to technique and talent, and now America just picks off who they like the least.
I know all SYTYCD fans are excited for what promises to be exciting choreography and the voting of the FINAL 4 dancers in next weeks episodes. As for me, I'm pretty happy since I already have tickets to see the SYTYCD tour when it comes to Boston on September 22, 2009 at the Agannis Arena. Presale tickets are on Ticketmaster right now, and are open to the general public tomorrow morning at 10 am.
Thursday, July 23, 2009
Dear Katie Holmes: That wasn't dancing
So I knew not to get my hopes up, I knew not to expect too much of Katie Holmes' "homage" to Judy Garland and classic Broadway musicals on tonight's SYTYCD, but I didn't expect Tyce to dumb down a Broadway piece for Katie Holmes to sing and dance to "Come on Get Happy."
But seriously, seriously. I mean, SERIOUSLY.
Well, just goes to show that the hype of celebrity is usually disappointing. The fact is, the show essentially tried to play it off as if Holmes was actually dancing, live, in the studio which clearly was not the case. It just saddens me that Holmes is allegedly completely committed to the Dizzy Feet Foundation, an organization founded by judge Nigel Lythgoe, Adam Shankman, Carrie Ann Inaba and Katie Holmes to support, improve and increase access to dance education in the United States. Firstly, the first three people I mentioned are icons and movers and shakers in the dance world, Katie Holmes seems like a rich, and ridiculous afterthought.
Regardless of that fact, the organization (http://www.dizzyfeetfoundation.org/) has already started and I'm sure will continue to do great things for dance education in this country.
But the fact that Katie Holmes wouldn't DEIGN to appear on stage live, but was forgoing her performance fee and donating it to the foundation, is laughable. I wouldn't pay to watch her sing, oh I'm sorry LIP SYNC, and dance, I mean prance around on stage while a bunch of worthy male dancers carry her around, in a million years. Literally.
It's just sad when someone like Holmes allows celebrity ego to interfere with a good cause and a wonderful show that bring dance into the living rooms of Americans who otherwise wouldn't know about the history and learn about new developments and styles of dance. I was really devastated and half-laughing, half-fuming while watching the "performance" by Katie Holmes. And, half-expecting Mr. Tom Cruise to pop in and start busting a move.
But seriously, seriously. I mean, SERIOUSLY.
Well, just goes to show that the hype of celebrity is usually disappointing. The fact is, the show essentially tried to play it off as if Holmes was actually dancing, live, in the studio which clearly was not the case. It just saddens me that Holmes is allegedly completely committed to the Dizzy Feet Foundation, an organization founded by judge Nigel Lythgoe, Adam Shankman, Carrie Ann Inaba and Katie Holmes to support, improve and increase access to dance education in the United States. Firstly, the first three people I mentioned are icons and movers and shakers in the dance world, Katie Holmes seems like a rich, and ridiculous afterthought.
Regardless of that fact, the organization (http://www.dizzyfeetfoundation.org/) has already started and I'm sure will continue to do great things for dance education in this country.
But the fact that Katie Holmes wouldn't DEIGN to appear on stage live, but was forgoing her performance fee and donating it to the foundation, is laughable. I wouldn't pay to watch her sing, oh I'm sorry LIP SYNC, and dance, I mean prance around on stage while a bunch of worthy male dancers carry her around, in a million years. Literally.
It's just sad when someone like Holmes allows celebrity ego to interfere with a good cause and a wonderful show that bring dance into the living rooms of Americans who otherwise wouldn't know about the history and learn about new developments and styles of dance. I was really devastated and half-laughing, half-fuming while watching the "performance" by Katie Holmes. And, half-expecting Mr. Tom Cruise to pop in and start busting a move.
Dancing Craze ...
So, I received this video and was nudged to watch by several different parties today, and it was definitely worth it because HILARITY and ENTERTAINMENT ensued ...
Who says a wedding in a church has to be traditional?! This was quite enjoyable and helps to exemplify how dance brings people together in fun new ways, and there are endless possibilities to new dance movement, and places to get down and boogie!
Who says a wedding in a church has to be traditional?! This was quite enjoyable and helps to exemplify how dance brings people together in fun new ways, and there are endless possibilities to new dance movement, and places to get down and boogie!
The original "This Woman's Work"
The original song is by Kate Bush and is from the movie "She's Having a Baby" with Kevin Bacon.
Try not to cry ...
Try not to cry ...
The meaning of dance ...
For anyone who watched So You Think You Can Dance last night, you know the true effect that dance can have on the human sentiment. Dance is a means of expression that can so directly pinpoint an emotion, as manifested perfectly by Tyce Diorio's contemporary piece to Maxwell's cover of "This Woman's Work," performed by Ade and Melissa.
The piece is about a woman with breast cancer and her friend coping with it. Melissa and Ade were truly breathtaking as they smoothly flowed through Tyce's choreography simply oozing radiance and emotion and were 1,000 percent dedicated to each emotion, each facial expression, each and every movement.
Nigel said "this is why I love dance so much, because you can express so many emotions without the use of words." With Nigel himself, Mary and Mia Michaels along with Tyce, Melissa and the majority of the audience sobbing (not to mention me in my living room) it was apparent the true depth and magnitude of this piece. It was truly touching, to anyone, whether you are a lover of dance, or a grown man who hates dance.
The beauty and majesty of simplicity of this dance resonated with the audience and the dancers, and just everyone.
With that said, as I try to stop re-watching the video on YouTube and crying, the rest of the pieces, while good, faded in the background to this moment in television history. For any skeptics of reality shows, of dance as an art form, for those you don't believe in the importance of dance and the power of this performance art, please watch the video and then tell me that you were not completely moved by this.
And last, but probably most importantly, to raise social awareness about a serious disease, breast cancer, in the way that this show did, in the way that Tyce's raw and emotional choreography did, is a blessing to us all who have the privilege to watch this, because the awful fact is every single person's life has been affected, in some way by this terrible disease.
OK, and now I am emotionally unable to discuss any other pieces. However, I will post more after tonight's results show (and after I catch up with the first hour of last night's which I sadly missed).
The piece is about a woman with breast cancer and her friend coping with it. Melissa and Ade were truly breathtaking as they smoothly flowed through Tyce's choreography simply oozing radiance and emotion and were 1,000 percent dedicated to each emotion, each facial expression, each and every movement.
Nigel said "this is why I love dance so much, because you can express so many emotions without the use of words." With Nigel himself, Mary and Mia Michaels along with Tyce, Melissa and the majority of the audience sobbing (not to mention me in my living room) it was apparent the true depth and magnitude of this piece. It was truly touching, to anyone, whether you are a lover of dance, or a grown man who hates dance.
The beauty and majesty of simplicity of this dance resonated with the audience and the dancers, and just everyone.
With that said, as I try to stop re-watching the video on YouTube and crying, the rest of the pieces, while good, faded in the background to this moment in television history. For any skeptics of reality shows, of dance as an art form, for those you don't believe in the importance of dance and the power of this performance art, please watch the video and then tell me that you were not completely moved by this.
And last, but probably most importantly, to raise social awareness about a serious disease, breast cancer, in the way that this show did, in the way that Tyce's raw and emotional choreography did, is a blessing to us all who have the privilege to watch this, because the awful fact is every single person's life has been affected, in some way by this terrible disease.
OK, and now I am emotionally unable to discuss any other pieces. However, I will post more after tonight's results show (and after I catch up with the first hour of last night's which I sadly missed).
Friday, June 19, 2009
"Falling Slowly" had me falling hard
View Jonathan and Karla's contemporary dance to The Frames' beautiful "Falling Slowly"
Thursday, June 18, 2009
SYTYCD Elimination Episode Tonight ... Mixed Emotions
The episode is ending as we speak ... and I have to say that the three couples in the bottom should not have been. And the fact remains that the competition has lost a gorgeous dancer and versatile dancer in Ashley, and the one male dancer, Max, was a very strong ballroom presence on the show.
The dances from last night ranged in difficulty and inventiveness with a serious lack in entertaining hip hop, if only Shane Sparks would step up to the plate and bring a great performance (clearly Tabitha and Napoleon have spoiled us all with their amazing pieces).
A surprise for me, however, was the piece that Jonathan and Carla performed. It was a gorgeous and emotional piece to "Falling Slowly" by The Frames with incredibly gorgeous and athletic assisted lifts and wonderful musicality. One thing lacking for me was Carla's lack of emotion in her face. She legitimately had one expression for the entire piece, and it distracted from her beautiful form and technique. Jonathan, the baby faced youngin' has completely redeemed himself to me, he was on with this piece and put 1000 percent into it, heart and soul.
As for Kayla and Max's pop/jazz wonder, as a dancer it is easy to understand it and value it for entertainment purposes as well as artistic uniqueness. It was a fun and funky new style that we really haven't seen on the show before, and it was refreshing and performed with pizzazz and enthusiasm and great skill.
The tango performed by Philip and his partner Jeannine. Mary gave Philip a C- for technique, which is accurate and deserved. He was shaky and a little awkward. Regardless of Philip's shaky tango moves, Jeannine's sex appeal and commitment to this piece carried them to next week's episode. Luckily, the viewers love Philip, but he needs to step up his game in other genres so that he doesn't fall in a rut and eventually get kicked off the show. They were not even in the bottom three couples which was a huge shock to me.
I'm off to bed because I'm incredibly tired, but I will update more when I have more time.
And now, I can't stop listening to "Falling Slowly" on repeat :)
The dances from last night ranged in difficulty and inventiveness with a serious lack in entertaining hip hop, if only Shane Sparks would step up to the plate and bring a great performance (clearly Tabitha and Napoleon have spoiled us all with their amazing pieces).
A surprise for me, however, was the piece that Jonathan and Carla performed. It was a gorgeous and emotional piece to "Falling Slowly" by The Frames with incredibly gorgeous and athletic assisted lifts and wonderful musicality. One thing lacking for me was Carla's lack of emotion in her face. She legitimately had one expression for the entire piece, and it distracted from her beautiful form and technique. Jonathan, the baby faced youngin' has completely redeemed himself to me, he was on with this piece and put 1000 percent into it, heart and soul.
As for Kayla and Max's pop/jazz wonder, as a dancer it is easy to understand it and value it for entertainment purposes as well as artistic uniqueness. It was a fun and funky new style that we really haven't seen on the show before, and it was refreshing and performed with pizzazz and enthusiasm and great skill.
The tango performed by Philip and his partner Jeannine. Mary gave Philip a C- for technique, which is accurate and deserved. He was shaky and a little awkward. Regardless of Philip's shaky tango moves, Jeannine's sex appeal and commitment to this piece carried them to next week's episode. Luckily, the viewers love Philip, but he needs to step up his game in other genres so that he doesn't fall in a rut and eventually get kicked off the show. They were not even in the bottom three couples which was a huge shock to me.
I'm off to bed because I'm incredibly tired, but I will update more when I have more time.
And now, I can't stop listening to "Falling Slowly" on repeat :)
Wednesday, June 17, 2009
I'm so behind, this is a bit embarrassing
So I am a complete week behind on So You Think You Can Dance results, but must say it was a mixed emotions finale show for me last week. I was desperately backing Paris Torres, the car crash survivor who cannot feel one of her legs, but is a graceful, entertaining and wonderfully beautiful dancer. She was robbed.
By Asuka, who should've immediately been sent home after that heinous solo of pure fluff. The judges seem to think she can do no wrong, I believe otherwise. I feel we should expect more from a classically trained ballerina who is also well-versed in Latin ballroom. Not that Tyce gave her and Vitolio any quality choreography to work with in that Broadway number during last Wednesday's episode (failure and boredom struck me as I watched through my fingers with pained eyes).
As for Tony, he was personable and had a great style, but alas his technical background wasn't sufficient to pull him through to the second episode (and in actuality I wish he hadn't taken the second Broadway Style Brother's spot but ... the past is the past).
The choreography during that Wednesday episode varied from impressive, inventive and entertaining, to boring and questionable. I will go into more detail in the coming days (hopefully before tonight and tomorrow's episodes which I have to miss but will be DVRing).
As for now, I'm signing off.
By Asuka, who should've immediately been sent home after that heinous solo of pure fluff. The judges seem to think she can do no wrong, I believe otherwise. I feel we should expect more from a classically trained ballerina who is also well-versed in Latin ballroom. Not that Tyce gave her and Vitolio any quality choreography to work with in that Broadway number during last Wednesday's episode (failure and boredom struck me as I watched through my fingers with pained eyes).
As for Tony, he was personable and had a great style, but alas his technical background wasn't sufficient to pull him through to the second episode (and in actuality I wish he hadn't taken the second Broadway Style Brother's spot but ... the past is the past).
The choreography during that Wednesday episode varied from impressive, inventive and entertaining, to boring and questionable. I will go into more detail in the coming days (hopefully before tonight and tomorrow's episodes which I have to miss but will be DVRing).
As for now, I'm signing off.
Thursday, June 4, 2009
Catching up ...
I haven't been keeping up with this blog, even though I had planned on despite this being "purely" for my Online Journalism class, about a million years ago. Or rather two.
However, I haven't stopped dancing these two years even after graduating college and working full time as a publicist in downtown Boston. But I am excited to catch up on my dance experiences, dance events and performances around Boston and Northeastern University along with other schools, and to talk about dance classes, studios and innovate new styles.
Not to mention So You Think You Can Dance (SYTYCD) which came to Boston last Thursday to audition for their fall season, after merely one episode into this spring's season which just started.
So far, while there are have been many, and I mean MANY, incredible dancers ate the auditions for the season on Fox now, there were definitely some exceptions (hello Seattle, do you have more than one decent dancer who isn't making a mockery of this art form?!?!)
I'm one of those people who doesn't enjoy watching people dressed in ridiculous outfits (bikini girl on "American Idol") who are simply auditioning on reality shows just to be "funny" (a word I use extremely generously). I want to see people wow me, someone dancing with so much emotion I cry, a male dancer who can do 13 fouettes in a row and make it look effortless.
I did get some of that, but not much. I am a bit disappointed about the talent, since last season and the previous season's top 20 dancers have been nothing short of amazing and inspiring.
Needless to say, I was shocked when Natalie, the tall and graceful redhead who just NEARLY made the top 20 last season was booted off after one of the first Vegas rounds, to Sonya's choreography.
Other shockers included Priscilla, Gaby and Megan Kinney (sister to Kaitlyn who is still on as part of the top 16 female dancers). Needless to say all three were strong dancers, although Gaby really couldn't handle any other style except her own quirky and thought-provoking modern/contemporary dance style. She floundered in the hip hop and DID NOT give it her all. I believe that the biggest part of dance in facials and emotion, and if you aren't going to throw 10,000 percent of your being into a performance, get off the stage.
I'm curious to see who does make it into the top 20, especially after so many talented guys got cut as well including Silky, the young and lighthearted tapper who impressed me from the get-go.
Left with a cliffhanger after last night's first Vegas auditions episode, I am chomping at the BIT to find out who makes the top 20 tonight.
And a side note: While I do SOMETIMES enjoy watching ABC's "Dancing with the Stars" I can't help but feel cheated. These celebrities, especially figure skaters and pop stars (cough cough Kristi Yamaguchi)have had dance training and it isn't really fair to claim they are being challenged. It also feels a bit contrived and can be a bit boring.
SYTYCD however never ceases to amaze, is always exciting and choreographers even win Emmy Awards (i.e. Mia Michaels for her Season 3 Heidi and Travis "bench" dance). The mix of styles, the emotion the choreographers put into their work, the drive and determination and talent and passion the dancers express really comes across and makes any dancer, or anybody remotely interested in dance, take note and pay attention.
One ironic aspect of both of the shoes, SYTYCD heavy hitters Chelsie Hightower (one of Season 4's Top 6 girls) and Lacey Schwimmer (Season 3's #2 female dancer) are now both dancing as the ballroom experts they are on "Dancing With The Stars." It is great to see dancers having great careers and continuing to choreograph and dance.
Tune in to Fox TONIGHT at 9 pm EST to find out your Top 20 dancers for this season!
However, I haven't stopped dancing these two years even after graduating college and working full time as a publicist in downtown Boston. But I am excited to catch up on my dance experiences, dance events and performances around Boston and Northeastern University along with other schools, and to talk about dance classes, studios and innovate new styles.
Not to mention So You Think You Can Dance (SYTYCD) which came to Boston last Thursday to audition for their fall season, after merely one episode into this spring's season which just started.
So far, while there are have been many, and I mean MANY, incredible dancers ate the auditions for the season on Fox now, there were definitely some exceptions (hello Seattle, do you have more than one decent dancer who isn't making a mockery of this art form?!?!)
I'm one of those people who doesn't enjoy watching people dressed in ridiculous outfits (bikini girl on "American Idol") who are simply auditioning on reality shows just to be "funny" (a word I use extremely generously). I want to see people wow me, someone dancing with so much emotion I cry, a male dancer who can do 13 fouettes in a row and make it look effortless.
I did get some of that, but not much. I am a bit disappointed about the talent, since last season and the previous season's top 20 dancers have been nothing short of amazing and inspiring.
Needless to say, I was shocked when Natalie, the tall and graceful redhead who just NEARLY made the top 20 last season was booted off after one of the first Vegas rounds, to Sonya's choreography.
Other shockers included Priscilla, Gaby and Megan Kinney (sister to Kaitlyn who is still on as part of the top 16 female dancers). Needless to say all three were strong dancers, although Gaby really couldn't handle any other style except her own quirky and thought-provoking modern/contemporary dance style. She floundered in the hip hop and DID NOT give it her all. I believe that the biggest part of dance in facials and emotion, and if you aren't going to throw 10,000 percent of your being into a performance, get off the stage.
I'm curious to see who does make it into the top 20, especially after so many talented guys got cut as well including Silky, the young and lighthearted tapper who impressed me from the get-go.
Left with a cliffhanger after last night's first Vegas auditions episode, I am chomping at the BIT to find out who makes the top 20 tonight.
And a side note: While I do SOMETIMES enjoy watching ABC's "Dancing with the Stars" I can't help but feel cheated. These celebrities, especially figure skaters and pop stars (cough cough Kristi Yamaguchi)have had dance training and it isn't really fair to claim they are being challenged. It also feels a bit contrived and can be a bit boring.
SYTYCD however never ceases to amaze, is always exciting and choreographers even win Emmy Awards (i.e. Mia Michaels for her Season 3 Heidi and Travis "bench" dance). The mix of styles, the emotion the choreographers put into their work, the drive and determination and talent and passion the dancers express really comes across and makes any dancer, or anybody remotely interested in dance, take note and pay attention.
One ironic aspect of both of the shoes, SYTYCD heavy hitters Chelsie Hightower (one of Season 4's Top 6 girls) and Lacey Schwimmer (Season 3's #2 female dancer) are now both dancing as the ballroom experts they are on "Dancing With The Stars." It is great to see dancers having great careers and continuing to choreograph and dance.
Tune in to Fox TONIGHT at 9 pm EST to find out your Top 20 dancers for this season!
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